Israeli producer Guy J has established himself as one of the most sophisticated and emotive producers in electronic music of the last decade, with a body of work and a sphere of influence that belies relatively short time in the spotlight. Whether it be his sensual, hypnotic take on house music, his deeply textured techno or his wondrous ambient material, his work is always touched with a magic and emotion that few rival.

Growing up, he was immersed in Israel’s dance music culture, and a burgeoning scene that is known the world over for its epic parties. From its own Love Parade to major clubs and radio shows, the country has long been a bastion for underground electronic culture. “If you looked for it, it was right there” he recalls. But while the country was chiefly known as the world’s chief exporter of psy trance, Guy and his contemporaries have spearheaded an acclaimed new wave of Israeli house and techno music. “I’m very sensitive person, so I think what I make is what I feel at the moment I make it” he explains of the deeply emotional qualities of his music. “I started as big fan of trance and progressive, and got exposed later on to techno and house\deep house. I’m trying to put all this together in my music; a bit of everything.”

Guy started producing at the age of 14, amassing a wealth of equipment and experience and dedicating his life to learning the craft (“my friends called my room ‘the cave’”). His first release came at the age of 21, but it was his 2007’s gem Save Me that proved to be his real launchpad. John Digweed snapped up the glistening, dramatic slice of deeper house music up for his legendary Bedrock Records, setting in motion a chain of events that would change his life forever. “It was like a dream coming true. I never knew it would lead me to having two albums on a label that I really grew up with.”

Its sublime Depeche Mode-esque synth work pointed to a talent that surprised considering his short time releasing records, and his as...