His musical catalog covers themes and concepts regarding modern science, genetics, healthcare, technology and their effects on the human condition.

His earliest productions appeared in 1987 as a collaboration with Lou Robinson (of Scan 7) under the group name Nasa with “Time To Party” and “Cant Stop Now”.

Stingray’s solo productions appeared later under the Urban Tribe moniker on Carl Craig’s Planet E Communications label (“Covert Action”). 1998’s debut of “The Collapse Of Modern Culture” on James Lavelle’s Mo’Wax label turned Urban Tribe into a collaborative effort, adding Carl Craig, Anthony “Shake” Shakir and Moodymann to the group.

His most notable connection, however, is through the iconic electro outfit of James Stinson and Gerald Donald aka Drexciya. As Mystic Tribe A.I., Stingray’s early credit was on Stinson’s (as The Other People Place) “Sunday Night Live at the Laptop Cafe” 12” via Clone Records.

Further meetings with the duo earned him the name “Drexciyan DJ Stingray”, subsequently becoming Stinson and Donald’s official touring DJ.

Donning his emblematic balaclava, his cyborg-like DJ sets continue to leave audiences captivated globally for decades. This skilled approach to the dancefloor gives him quite the in-demand gig schedule, appearing at landmark festivals and venues like Tresor Berlin, Glastonbury, Dekmantel, Movement Festival (Detroit), Making Time (USA), Sonar Festival (Barcelona), Berghain, Dimensions Festival, and Berlin Atonal.

Stingray’s career continued on as DJ Stingray 313 (and as Stingray313, respectively), after Stinson’s passing in 2002 in respect of the Drexciyan legacy. His ever-unique productions have seen releases on Mahogani Music, Warp Records, Rephlex (“Misinformation Campaign” EP), Tresor (Kern, Vol. 4), and Unknown To The Unknown (Imping Is Easy). Collaborative EPs on WéMè Records with Gerald Donald and Penelope Martin were released in 2012 under the enigmatic NRSB-11 moniker.

DJ Stingray 313’s music ...